Michael von Blowhard tackles the seemingly age-old question of Commerce vs. The Arts in America (with bonus Bo Diddley!):
We’re a special case too because our commercial culture is so overwhelming that our high culture winds up feeling beleaguered. It flinches; it cowers; it gets on its high horse; it begs for donations — anything to defend itself against what it conceives of as the evil commercial juggernaut. As a consequence, American high culture is often prone to getting whiney, grandiose, political, and morally accusing — to carrying on like an adolescent who’s always threatening to go on the dole. Perpetually possessed by the vapors, contempo American high culture loses track of what it might have to contribute — it wants to be loved for itself, not for what it does — and goes into protest mode instead, thereby rendering itself irrelevant, and thereby driving many who might otherwise be open to it back to commercial culture, where you can at least feel semi-certain of getting a little something for your time and money.
…and he arrives at the opinion that I think any level-headed person would: Can’t we all just get along? I personally see no reason why we can’t, but then, I have no dog in the fight. I gave up trying to “learn” or appreciate high culture (more than) a few years ago when I realized that it would take a whole lot of schooling just to learn where to start. So now it’s pretty much cest la vie with me [giggle].
However…I would like to see some of the millions of dollars pumped into governmentally-approved high culture projects, like symphony halls and equestrian centers and performance spaces (whatever the hell those are) channeled in some way towards something (anything, really) that the Common Man might appreciate and utilize. To close the circle here a teeny bit, a lot of resentment from the rubes comes from seeing public monies spent on such high-toned crapola that the average schmoe just doesn’t want anything to do with. We’re told, practically scolded & at vomitous length, by our civic leaders that the symphony-opera-ballet-museum-whatever is for everyone, but the “everyone” you see involved in these affairs is the tux-and-fur crowd. Hardly “everyone”. I guess I’d just like to see City Hall throw $1.6MM at some guy (like me) to do something like take the Longhorn Ballroom and return it to it’s national reputation as THE place to see great Texas Music in Dallas. But, whoopsie! That’s beer and liquor and smoking and dancing and all those things an International City just doesn’t do, dahling, unless they’re slumming.
Another question raised by MvB is why the battle has to be fought over and over and over. That one’s easy: we ain’t stopped birthing babies, who get educated, and learn a few things, and think they have The Answer. Sometimes they do, and let’s all drink to that! Most times they don’t, though, and while it may seem new and fresh and shiny and blindingly intuitive to them, it just ain’t to us geezers in the audience. Because we’ve seen it and heard it a thousand times before — which kind of makes us a bunch of fuddy-duddies to them, and rightly so. As for why there are so many geezers still prattling on about it, my main guess is they have some (shudder!) commercial turf to defend, and you’ll find it if you dig deep enough (like a micron or two below the surface.)
An-t-way (as my dear webbie-friend Jahna says), this whole bloviating post was ginned up just so I could post this howler of a comment:
The main difference between the literati and rednecks is, the literati get the elbow patches when they buy the jacket.
- Alan Kellog
God, I love the culture wars!
CUL-CHA SATURDAY UPDATE: Ian Hamet agrees with me I agree with Ian Hamet 100% on the genre fiction vs. lit-fic issue that kicked off MvB’s essay. I happen to enjoy both, but less so on the lit-fic side since the Blowhards started harshing my mellow on Don DeLillo (whose last book, Cosmopolis, sucked like an 8 lb. Oreck XL). In fact, I’d have to think long and hard to name a lit-fic I enjoyed over the last 12 months. Does Life of Pi count? I dug that for it’s story-telling and the writing of the author, not so much for any great morales or insight into the human condition. I just thought that being marooned on a lifeboat with a full-grown Bengal tiger was an awesomely brilliant jumping-off point. Please overlook my shallow nature.